disco volante is a super freakin release, grinding the edge between bullet -proof electrohouse flavours and more melodic neo-trance elements- beautiful & jackin in the same time.to round up the package - its up to label boss john dahlbäck with jesper dahlbäck and french pickadoll member sebastien leger (bits rec) to deliver terrific remixes !! while john & jesper arent scared of real trance adventures, leger twists the original into a more psychedelic direction ! essential !!

incl massi dl remix !! renato figoli (lo-fi stereo, gumption recordings, trapez) opens the cut restrainedly with bleepy burblings, the kick drum pattern subtly intensifies until, two-minutes in, a pulsating bass line transforms the track into a surging club-house banger. figoli keeps things interesting by incrementally adding fragmented voice snippets that slip comfortably into the groove and by exploiting tension and release with well-timed dropouts and breakdowns. on the b side, massi dl (safari electronique, frankie rec) eschews buildups altogether, opting to leap from the gate with a deep and infectious dance groove overlaid by voice fragments that resemble punctuating barks. acidy synth effects give the tune fleeting psychotropic character before the cut slams into gear with a massive groove

after the highly acclaimed debut release from hugo giner a.k.a. w&p hgg, >yo tengo una gallogallina< already played and charted by charles webster, larry heard, Âme, motorcitysoul, dixon, franck roger, keith worthly…. cornuta sound is ready to offer us the second instalment by hugo himself with 2 deep tracks that will hit straight to the centre of deep minded hearts around the globe. side a >dark children< is an ultra atmospheric deep house with slow voices and a soulful feeling. side b >este es el ritmo< is an hypnotic track with elegant percusión & a funky dancefloor bass, with the sampler >este es el ritmo< that makes you travel into the deep

just disco house tracks... dancefloor proved classic club tracks transformed into 2007 outfit

more madness by the lobby. >gutter poetry< is a further introduction into the lobbys perception of hip-hop. dry electric grooves combined with 8bit gimmickry supplied by chantal goret define the a-side. the b-side starts with the sampled sonic story of tasteless catfights and gratuitous violence. the lobby finishes through >the muddy way<, heavy bass from behind

the fourth release on this southern france based label is presented in a collaboration with the japanese production team orienta rhythm. their version is a funked up affair on a classic tip that with a jazzy edge that is spreading an uplifting feeling and features a soulful female vocal. mix2inside rework the track into a laidback piano driven affair, while blind sensation give it an electro reworking perfect for the main rooms. lastly there is fabrice protec makeover that adds a retro disco vibe to the track.

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

swedish friend per qx teamed up with non other than the british vocal diva shena, who is not only responsible for the smash hit >the weekend<, but also for current club hits like >electrosexual< and >dare me (stupidisco)<.per qx delivers the massive club and vocal dub mixes, while the stereo mutants give the anthem a soulful rub.to round this package up nik denton delivers a bigroom monster aswell. on top of that we are spoiling you with a remix from our main man from russsia, dj electric, who takes this song into warm electronic deepness

the vibrant offshoot of davide squillaces skecth music architecture steps up onto the plate for a home run battering! the new cut comes with none other than paul ritch. he stepped into the limelight with a series of superb and very impressive releases on resopal and paradigma. in pursuit of labelboss squillace and the previous gem from the hand of marco shuttle - minisketch lifts spirits once again with some hi-tech futuristic grooves

main mix features roy davis jr on slick old school flavored vocals supported with tinkling keys and jazzy synth horns that make way to a delicious break that leads into some searing percussion and serious bass all joining together for a jaw dropping, refreshing reintroduction to some real house music. next up is the jimpster mix, a deep edged straight ahead affair accentuated with big keys and roys vocal right up front and center. a midsection that pulses and hesitates and then drives on with an enveloping deepness that pulls you in. gorgeous! last up is the dub, a wildly percussive take with roys vocal setting the tone. pumping bass and tabla drive the energized big sound with breaks that twist and distort only to launch back into the infectious groove

sunset diskos presents a new amazing four tracker by pheek. with kamakura, jean-patrice rémillard aka. pheek goes beyond the borders of bouncy, carefully shaping and twisting four tracks into rubbery minimal masterpieces. each track ricochets back and forth, twisting the sounds to the max, but always with that rubbery groove we learned to love. often there is inspiration behind music,and pheek has always been known to get ideas from traveling. kamakura is a japanese city that pheek visited in february 2007, there he discovered a wealth of ideas, primarily from the essential mood surrounding the city itself. pheek runs the labels archipel and kalimari, and has released records with numerous labels including m_nus,telegraph and contexterrior, and on mix cds from sven väth and matthew dear

this is the third tuning spork blues experiment. inspired by legends like miles davis and modern day techno producers like dandy jack, andreoni is forging wacked out new house sounds, in the true spirit of jazz. this ep is no exception, and it shows why the likes of ricardo villalobos believe that signor andreoni is an amazing musician. to begin the experiment, andreoni jams you deep into space, with some seriously fucked up effects that will have you hiding under your bedclothes. sleepover is perhaps the most techno cut on this release, but the deep haze of dub still remains, over a banging percussive track. on members the melodies are perfect as you expect from signor andreoni, and here the acid line is more prominent in the mix, over deep warbling bass notes. in borderline, nothing is as it seems. melodies fall down cliffs into weird drones, and everything seems a little skewed. this completes a 4 track ep from a unique talent in the world of deep electronic house music, with 4 distinctive colourful tracks that take the genre far away from the middlebrow. make sure you check out our third tuning spork blues experiment, even if you spent most of science class using bunsen burners as water pistols

7 artists, 4 tracks and one destiny:electronic music for club, fresh, carefree, amused and direct.lucio & pep from italy bring a brilliant proposal of changing, intense, funny and deep hi-fi techno. the new association between bruno.d (citizen kain) + jaumëtic sees the light with >use your brain< a serious and effective track. adaptor is the union of forces between cj jeff + handle with care, 2 values in rise from greece, with a great remix of super flu who moves the track into a great tech house song

this is the third single taken out of the highly acclaimed swirl it up album and is ready to follow up the nationally aired singles freak for you and when i think of you with a bang! blanche neige is the newcomer on the vocals for youre a star and she brings you her sweet voice straight from paris and as usual there is a full package with dj friendly mixes prepared for you. first of all one to watch giom (one half of the bobby & klein duo from france but living in london) gets into remix mode bringing us a mix that can easily compete with the work of lawnchair generals for example. this remix has been proven to be huge already during wmc 2007. the original extended version could not be left away from this twelve of course which is according to many people one of the best tracks from the swirl people album. the icing on the cake is the 1200 warriors remix which is also one of the freshest remixes to date for these new york proteges of dj sneak. you ll be a star when you bust out this record on your speakers

slutbox (billy dalessandro & daniel mnookin) >nitrogen 2 oxygen 1< ep (jason emsley & brian ffar remixes) billy dalessandros, daniel mnookin & brian ffars beloved siteholder returns with one of the best releases in the labels history. the sound is infectious, minimal minded and addictive, spreading through the world like an epidemic this only proves their chapter on techno is yet to be written. the title track is intricate, layered and warm, some might say it makes reference to sleeparchive with its metallic drums and deep analog vibrations. the massive sub bass is something you must experience on a raging dancefloor at 5am, this will jack you straight into the afternoon. dark haunting vocals (very on par with the m_nus crew) clicks & cuts percussion and decaying melodies. flip this one over for massive analog richness with this huge jason emsley mix which i get the feeling he took a lot of influence from dan bell back in the day as this sounds like revisiting the 7th city again, stunning. the brian ffar & huge hephner mix is filled with ever evolving basslines and residual synth pulses on top of bass sophistication thatll beg for deviant behavior at any hour. perfection if i may say so myself, do not miss

wandlers second ep on motoguzzi records comes with a monumental prime time euphoria for really shaking your ass on the aside and secondly he spreads a broad dub-carpet and leads the way to self-absorbtion

three is the magic number! as a matter of fact the third installment in the koop remix series brings you not only some more floor friendly reworks of everyone’s favourite transvestite jazzers but at least two sureshot bangers! on the a side we got the mighty drumlesson remix by christian prommer. the producer of fauna flash and voom:voom fame picks up the bonus beats of the album to transform them into a 7 minute tech jazz meets classic house workout that drags drum rhythm a kicking and screaming onto the dancefloor.the b side once again sees beanfields remix of i see a different you but this time sweet singer yukimi nagano gets left behind on the excursion to detroit. and yes, the much requested instrumental version sounds even better without the vocals! last but not least there is a nice version of lets elope by sirs also known as gucciman or daniel klein, co founder of flamingo discos. he pushes the right buttons to build a grooving deep house tune around the warm vocals of mikael sundin. so, lets elope today with koop

mekanik and mk records labelboss manu kenton from belgium is known for his diversity in taste and productions. he released numerous successfull productions and remixes on respected labels like alphatbet city, lupp and genetic. here he once again demonstrates what cutting edge anger the man can put into music. a seriously effective harder pumpin techno ep

ralph lawsons 2020 vision starts a new run of releases entitled >world series< - set up to showcase up and coming artists from around the globe and expertly a & rd by the label head himself. theres no messing around with b sides, weve given you a double hitter which cuts straight to the chase. julian is a well-known producer as part of silver city and 2020 soundsystem. kriece has worked with many established producers such as james zabiela, nic fancuilli and jeff bennett, recently remixing aphex twins >windowlicker<. snow on hachiko is a superb rolling, solid house groover that kicks the dancefloor into life for fans of spirit catcher & jimpster.everything sees the silver city man drop a brilliant, hypnotic, deep number influenced by good old fashioned locked on house music - a great summery track for fans of ame, art of tones & dixon

next up to be released on z records is a remix package of the tamaras world track trampoline. the original continues to excite major demand and this remix package can only keep the track ever hot. the main remix comes from man of the moment cedric gervais who turns the track into a twisting meltdown of peaktime craziness cedric has turned up the remix heat recently most notably on his reworks of seamus hajis last night a dj saved my life and give me love by alcatraz. on the flip, joey negro provides the remix from the original release taking the vocal on trip into a dark and seedy afterhours joint with devastating effect akabus remix, culled from the original 12, completes the package turning in a more minimal, spaced out take on the original

clectic producer johnny dangerous returns to king st. with yet another esoteric single, only yourself. his unique spoken word vocal stylings are what set him apart from other dance music producers. haunting as they may seem, they penetrate the psyche while the underlying rhythms rev up the body. italian heavy hitting producers, the pasta boys, are on board to give this an effective synthy remix thats perfectly inline with johnnys lexis. edgy, dark, minimal, techy and punchy, their remix gives energy without being overly aggressive. for those who need something a bit lighter, johnny dangerous original mix puts a bit of the funk and soul back into the song with guitar wa was and slapping percussion. theres something incredibly sexy about what johnny dangerous brings into being. is it his voice? his lyrics? his production? whatever it is, its good, and a pasta boys remix to boot? buon apetito

vienna homeboys microthol now leave it to some of their favourite producers to turn four cuts from the album into hard hitting dancefloor gems: marco passarani converts acid bosons into a prime time acid stomper, speakwave (a.k.a. dynarec) delivers an epic rework of hydrogen bonding, dj glow gives mechanical empire a bleepish electrotech makeover and midnight moroder receives the well deserved eurodance treatment at the hands of italo disco don alexander robotnick

next bomb on radioslaves label !!! mr g makes a triumphant return to rekids with >u askin?< an incredible record, so difficult to categorise but destroying every dancefloor from south beach to shoreditch and berlin to san paulo. >u askin?< builds and builds from the outset and will soon be so embedded into your brain youll need surgery. live sweeps and sirens will have you dancing like world war three is kicking off around you. marcel dettmann berlin s king of the underground delivers a killer alternative

pinknoize are a fresh production duo from west london with this release seeing them lay down some dancefloor friendly grooves which get locked into a soulful cycle of talking synths and playful percussion. like morgan geist topped up with a big dose of glitch juice and a bit of skandi- disco flavour thrown in, radical specs will suit funk lovers with its drunken grooves and space-laden atmospheres. high grade big-wig tom clark leaves all the big noises at home and turns up with an introspective almost sarcastically playful minimal work-out on his rmx while hot talent lee mortimer turns in an altogether more cranking and snarling electro tinged house mix, stretching the squelches and bleeps of the original over a dance floor friendly banger.

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

after his very succesful contribution to the >collection 01< compilation of last year bristol based luke turner aka lukas returns with a full 12 release on players paradise. as his first track >gaucho< these two new burners are quality state of the art tech-house with pumping basslines and acid leads that will go right in there. we are very keen to have a new face from the uk on our label who follows the styles of labels like 2020vision and freerange. and as the summer returns we packed this release with one of the finest open air anthems you will hear this season. a first class corker by no other than one of the dirt crew boys, break 3000 takes the original >eraser< track and transforms it into an chicago piano fueled early 90’s rave track

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

pnuma picks up with its fourth release by introducing let s go outside. after releases by established artists such as lee van dowski & quenum, dan curtin and scape one, the label ventures out further into unchartered territory to bring the sleazefest that is i ll lick your spine . the remix comes at the hands of parent label soma s repeat repeat

ascii disco, who is now living in madrid, put his latest track mdma into pale music s hands in terms of a 12 release with remixes by the scandals and punx soundcheck

rogue djs with their hands on these 2 classic songs to work and twist it into 2007 electrohouse mayhem

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

most people need drawers to put names on styles, to define music to a short range of elements. those will have a hard time describing this new masterpiece by uk based dino lenny & simon duffy. combining units of minimal, techno, noise structures and a certain rave attitude at the peaktimes they really make ya feel lost in a positive way. who cares about styles when the result is working, and this combination sure does wether youre at a club or even looking for the perfect track to rock the open air season this year. yellow tail scores big time again with this underground peaktime burner! andrea doria twists the original into a more >electroish< direction. distorted leadsynths with strong mellos leave no choice but to raise the hands and celebrate electronic music the way it should be done, wild, obsessive and free from the daily worries. this is huge

americhords 2004 enter ep get a double reworking by two of our favourite producers: dan curtin and mark broom. ohios dan curtin metamorphic records delivers two diverse interpretations of >tighter my grip<. his first >track mix< is more in keeping with his recent stripped down productions on tuning spork, with a sharply produced linear reworking which focuses in on the original tracks vocals and shimmering synth riff. his second >string< mix sees him turn in another of his signature techno-funk classics, as only dan curtin knows how. long standing d1 collaborator mark broom, effortless as always, rearranges >phoenix< into two pulsating 4/4 grooves, with the originals haunting string line riding on top throughout both. again, as with recent d1 releases, this is strictly limited vinyl run of 300 copies

tayos distinctive dub breaks style has forged its way forwards onto a worldwide platform with impressive dj sets and radio shows on kiss and bbc radio one. his fusion of other genres into breakbeat can clearly be heard on his fabric live 32 mix cd, which is an absolute corker! this time around he is not alone and teams up with the dynamic duo ctrl z. they also have an impressive repertoire with releases and remixes under their belts on respected labels such as 777, hardcore beats and rat records. its no surprise then that we have a heavy dub influenced groover everytime, which makes a perfect summer time party tune. on the flip lovers rock teases it way from a slower reggae groove to a full force bassline that will tear any dancefloor apart.

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

disc two continues the foray into deep, electronic territory. the devastating and downright dirty radio slave remix of peace divisions blacklight sleaze heads up the a side, and has been out of print on vinyl for many months until now. on the second side, san frans dano serves up a deliciously dubby remix of mood ii swings classic slippery track and chicken lips get all italo inspired on their acid mix of nick holders player 1

chrysanthemum ep is the first new recording from kelley polar since his hugely successful debut album released in 2005, love songs of the hanging gardens. the seeds of chrysanthemum are described by mr. polar himself as a confluence of the apocalyptic fear that permeated all cold war childhoods, comic book illustrations of blood and violence abstracted into flora and a b grade science fiction novels portraying two teens in the final throes of lovemaking as the world is destroyed in nuclear apocalypse. yet despite this decidedly dark and unique approach, the song is nevertheless pure pop catchy and indelible once heard. rosenband is lighter in subject matter yet just as deep musically, filled with synthetic layers and rhythms that reveal themselves slowly on subsequent listens. despite the immediacy of the melodies, there is a detail that permeates all of kelley polars work and rewards the attentive listener. a completely reworked instrumental version of rosenband is stretched across the b side and is dare we say it a dancefloor killer, with a long, mix friendly intro building to an incredible crescendo. the track is arranged and mixed by morgan geist and was done so with djs in mind!

dj oji hits us right in the face with a couple of atypical jazzy afro funkified productions on this double a side! sax you features vocalist kolai & gets eclectic with its slappy percussion & really catchy plucky rhythm string. this only serves to warm up the epic intro of the jazzy sax that comes in as strong as a freight train. doing one of his very special edits is master musical editor & dance legend, dj danny krivit. continuing on his path of afro funkdom, this next oji offering is another quality piece featuring esteban & tettris entitled non believers. a rhythmic hodge podge of sounds in the same vein as the aforementioned style including sax, trumpet, hammond organ, wood clavs, and interjected by a psychotic transistor noise thats sure to drive the listener into a modern day ritualistic frenz

this is the second part of the religio.audio 005 compilation. therefore the tasty smoked ham is ready to be at the table and is by the way divided into four wonderful pieces. in thin delicate slices serve four well-hanging acts their >musical< excellent examples at the sprightly slaughters plate 005z

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

forteba was born and raised in hungary where he chooses the occupation of an electronic music producer at the age of eighteen. his early compositions were settled near breakbeat and chill-out area but he soon found his passion in straight rhythms and arrangements inspired by german deep-house stuff. he likes to embed various elements of dub and ambient into straight clear rhythms, so his borders of style are hard to define. he produced some successful singles in his home country as >the garage< together with gábor pasztoriális and got released at hungary-based underground labels……

ever think you d be listening to a gorgeous house tune called piece of meat? pardon the pun but this is one tune you can really sink your ears into. ex ten city member & legendary house music vocalist, byron stingily, takes the notion of a broken or stolen heart literally, so often such is the feeling of lost love. four different remixes bring different flavas of house, from the revered remixing super soulful skills of quentin harris, to the more classic sounding production of byrons original mix, to the dubbier & more bass heavy style of ron carolls bmc emotional remix. vegetarians & carnivores alike will learn to put their differences aside & dance blissfully to this top tune

next sure-shot from the berlin boys plasmik – the success that these two brothers have already had with their first release >eight to nine< and their remix for ripperton is impressing. licensings for steve bugs fuse sampler, loco dices time warp mix and jamie jones get lost mix are just a selection of their current achievements. furthermore, they will release an exclusive track on crosstown rebels. the crowd and the djs love their style. inspired by us-techno cuts from the middle of the 90ies, they transfer and interpretation of this sound into today. with their newest release, they raised their understanding of dance music to a new level. pitch it is a dubby house track with pitched piano elements and a catchy hookline. this outstanding tune, which is already in heavy rotation, was licensed for claude vonstroke s mixmag mix.

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

the original track is a strong progger with cool female vocal snippets dj fist turns the track into a huge absolutely slamming tribal house bomb a must have

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

after two recent releases on robsoul and brique rouge, here is the much respected french producer chris carrier´s last ep, >new phase< on his own label adult only !! powerfull three track ep made for sweaty dancfloors

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

tjr continues to fold his own unique style of house, acid and techno. fresh, funky and exciting best describe his newest productions. archipels pheeklends his hands+ears on the remix. puckmouth is the main cut found. chicago influenced rhythms blend with analog bass as jack beats flow. synth effects float with the snare attack. tweaked. slowly pushes hands into the air. funky ho medina sounds like classic dance mania on modern pills. snappy percussion builds with quick edits. detuning madness arrives via keyboard runs.pheek (archipel/leftroom) reworks puckmouth with an energy boost. a slowly growing dimension of sound that is constantly trying to climb higher. this remix is a deadly, twisting your brain and eardrums